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Hema Malini and Dharmendra
Hema Malini and Dharmendra, Prem Sagar’s classic image, a still from Ramanand Sagar’s Charas 1976.
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Hema Malini and Dharmendra – II
Hema Malini and Dharmendra, Prem Sagar’s classic image, a still from Ramanand Sagar’s Charas 1976.
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Mala Sinha and Dharmendra
Mala Sinha – Half Japanese / Indian Spy with Dharmendra, an agent of Azaad Hind Fauj, Prem Sagar’s classic image, a still from Ramanand Sagar’s Ankhen 1968.
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Mala Sinha and Rajendra Kumar
Mala Sinha and Rajendra Kumar, Prem Sagar’s classic image, a still from Ramanand Sagar’s Geet 1970.
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Mala Sinha and Rajendra Kumar – II
Mala Sinha and Rajendra Kumar, Prem Sagar’s classic image, a still from Ramanand Sagar’s Geet 1970.
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Portrait of Dharmendra
Dharmendra, Prem Sagar’s classic image, a still from Ramanand Sagar’s Lalkar 1972.
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Portrait of Dharmendra – II
Dharmendra, Prem Sagar’s classic image, a still from Ramanand Sagar’s Lalkar 1972.
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Portrait of Hema Malini
Hema Malini, Prem Sagar’s classic image, a still from Ramanand Sagar’s Baghavat 1982.
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Portrait of Hema Malini – II
Hema Malini, Prem Sagar’s classic image, a still from Ramanand Sagar’s Charas 1976.
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Portrait of Hema Malini – III
Hema Malini playing the role of theatre actor, dressed in a Cleopatra kind of costume, Prem Sagar’s classic image, a still from Ramanand Sagar’s Charas 1976.
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Portrait of Mala Sinha
A Mexican hat in Japanese Landscape – Mala Sinha in Spy thriller Ankhen, Prem Sagar’s classic image, a still from Ramanand Sagar’s Ankhen 1968.
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Portrait of Mala Sinha – II
Mala Sinha, Prem Sagar’s classic image, a still from Ramanand Sagar’s movie Geet 1970.
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Portrait of Mala Sinha – III
Mala Sinha, Prem Sagar’s classic image, a still from Ramanand Sagar’s Geet 1970
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Portrait of Mala Sinha – IV
Mala Sinha, Prem Sagar’s classic image, a still from Ramanand Sagar’s Geet 1970
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Portrait of Rajendra Kumar
Jubilee Kumar – Rajendra Kumar as Ski Champion Sarju of Oakla Village, a still from Ramanand Sagar’s Arzoo 1965.
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Portrait of Sadhana
Portrait of Sadhana, Prem Sagar’s classic image, a still from Ramanand Sagar’s Arzoo 1965.
